Back in 1988 I began studying Fomen Jiu Gong Zhang (Buddhist Nine Palace Palm) Qigong in Zhengzhou city in China, where I was living. The classes were held at a local hospital. All the students except me were patients there and the class was their therapy. The students practiced eight hours a day. Most of that time was spent doing the exercises but there were also academic classes held for a couple of hours in the afternoon. I wasn't able to attend all the classes and practice sessions because I had a job teaching English at a local technical institute. I also didn’t really have the Chinese vocabulary for Qigong theory and Chinese philosophy back then so I chose to skip most of the lectures. Besides, Teacher Gong and the others all had pretty heavy local accents and it was a challenge for me to understand them clearly. Whenever I was free however, I would attend the morning and evening practice sessions.
The practice sessions were an hour long and we would generally practice one movement for the entire time. It was pretty tough. The system was a mix of Buddhist and Daoist Qigong and combined active (Daoyin) and static (Tu Na) postures. It required a lot of concentration and could really wear you out until you got used to it. It was not all dull practice, however. Occasionally, Teacher Gong planned something special. On one such evening, after the practice session, we were asked to gather in one of the rooms off of the courtyard. Teacher Gong introduced us to an older women. He asked us to perform the first posture which consisted of standing with feet together and hands in prayer position while mentally reciting a mantra. As we held this position the woman began to sing/chant some kind of song which sounded improvised to me. The vibrations she produced had quite an interesting effect on us. The power of the rhythm and the vibrations the music produced were quite strong. It was very relaxing and put me in a kind of other worldly state. I didn’t catch the explanation of the purpose of the exercise, but over all it was a very enjoyable experience.
After that, Teacher Gong’s son drew three circles on the floor with some chalk. In each, he drew the Chinese characters for “fire”, “water”, and “wind”, respectively. He then picked up a peach wood sword and traced the character in each circle in the air with it. Peach wood swords are believed to amplify Qi and are often used by Daoist monks in their magic rituals, especially exorcisms.
Teacher Gong’s son told us to step into the circles one at a time. He said that when we stepped into a circle, we would feel the effects of the element whose character was written there. I watches as several students stepped in and out of the circles. When finished they huddled together excitingly comparing experiences. Finally it was my turn. I stepped into the “fire” circle. I expected to be overcome with a blazing heat but to be honest, I didn’t feel much of anything. It was a cold November evening and I was dressed pretty warmly so perhaps I just wasn’t aware of a change in temperature, if any.
Although I didn’t feel much in the fire circle, the water circle was a very different experience. As soon as I stepped inside, I felt a kind of rippling current wash over me. It wasn’t exactly like floating in water but it did feel like waves were gently flowing over me. It was very pleasant and relaxing. To my surprise, I found I was actually quite reluctant to leave the circle.
The gentle waves of the water circle did not prepare me for the intensity I was to experience in the wind circle. While waiting my turn, I had seen people in the wind circle being literally blown out of the center of the circle. Stepping in myself, I immediately felt a intense pressure from one direction. It was so strong that it felt like it was pushing me to one side. It was actually a little scary so I was happy to get out of that circle. I found myself wanting to spend more time in the water circle but class was almost over and it was time to leave. It was quite a memorable experience that helped me see that Qi is an objective phenomenon and not just a subjective one. I haven’t tried to recreate this experience myself, but maybe I will one day.
I think this is a good example of how spaces can react to Qi. Qi can leave residue that can be absorbed in the floor, walls, and ceiling of a given room. The residue can be good or bad. This can explain why we feel good in sacred spaces which are continually filled with positive energy, and bad in places where bad things have happened. That is why it is so beneficial to practice Qigong in your home as you can fill the space with positive energy that over time will make the room resonate with light and peace. It also a reminder that it is important to regularly clean your practice space of turbid Qi, which we will discuss in a future article.
